Richard Berg
- Producer
- 18 on MovieCove · 38 credits in all
What are Richard Berg's films like?
Across their 16 MovieCove titles with a thematic analysis, their films lean Morality and Self.
Genres
Their MovieCove films by primary genre. The badge is the typical Midcredits score of the genre's films, the median percentile; an up arrow marks a genre at or above their average across these genres.
Themes
What they feel like to watch
Ironic 0 · Wry 0 · Earnest 16
A split, not a type: Light 3 · Serious 4 · Dark 9
Grounded 12 · Stylized 4 · Heightened 0
Gentle 0 · Charged 10 · Intense 6
Steady 6 · Shifting 10 · Whiplash 0
Straight-faced 13 · Some laughs 3 · Funny 0
Slow burn 6 · Even-paced 10 · Relentless 0
Casual 6 · Engaged 10 · Full focus 0
A split, not a type: Easy watch 3 · Affecting 4 · Heavy 9
Resolved 14 · Open-ended 1 · Ambiguous 1
Moods and endings
- Happy5
- Bittersweet7
- Tragic1
- Ambiguous3
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch Richard Berg's films?
As of October 24, 2026, 7 of their 18 MovieCove titles stream on a subscription or free service, most on Tubi (5).
Subscription and free streaming for Richard Berg's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.
Filmography
38 credits, 18 with a MovieCove page.

CSI: Miami(2002)
Midcredits score: 39th percentile of all shows
The Wednesday Woman (not in the MovieCove catalog yet)(2000)

Rated X(2000)
Midcredits score: 35th percentile of all films
Pronto (not in the MovieCove catalog yet)(1997)

Sin and Redemption (not in the MovieCove catalog yet)(1994)

White Mile(1994)
Midcredits score: 30th percentile of all films
Midcredits score: 24th percentile of all films
Fresh Horses(1988)
Midcredits score: 14th percentile of all films
American Geisha (not in the MovieCove catalog yet)(1986)

Wallenberg: A Hero's Story (not in the MovieCove catalog yet)(1985)

An Invasion of Privacy(1983)
Midcredits score: 27th percentile of all films
Johnny Belinda(1982)
Midcredits score: 54th percentile of all films
A Rumor of War (not in the MovieCove catalog yet)(1980)
Midcredits score: 40th percentile of all films
The Word (not in the MovieCove catalog yet)(1978)
Midcredits score: 32nd percentile of all films
Night Cries (not in the MovieCove catalog yet)(1978)
Midcredits score: 75th percentile of all films
The Spell(1977)
Midcredits score: 29th percentile of all films
Special Delivery(1976)
Midcredits score: 37th percentile of all films
Shoot (not in the MovieCove catalog yet)(1976)
Midcredits score: 48th percentile of all films (provisional, few ratings)
Someone I Touched (not in the MovieCove catalog yet)(1975)

Hard Day at Blue Nose (not in the MovieCove catalog yet)(1974)

Murder and the Computer (not in the MovieCove catalog yet)(1973)

A Night Train to Terror (not in the MovieCove catalog yet)(1973)

A Chant of Silence (not in the MovieCove catalog yet)(1973)

Class of '63 (not in the MovieCove catalog yet)(1973)

Firehouse(1973)
Midcredits score: 36th percentile of all films
Heat of Anger (not in the MovieCove catalog yet)(1972)

Thief (not in the MovieCove catalog yet)(1971)

House of Cards(1968)
Midcredits score: 42nd percentile of all films
Counterpoint(1967)
Midcredits score: 55th percentile of all films
Banning(1967)
Midcredits score: 29th percentile of all films
A Small Rebellion (not in the MovieCove catalog yet)(1966)
Bob Hope Presents the Chrysler Theatre (not in the MovieCove catalog yet)(1963)

Checkmate (not in the MovieCove catalog yet)(1960)
Midcredits score: 96th percentile of all shows
Career shape
A full career of 32 titles from 1955 to 2002.

Biggest box office
Fresh Horses (1988)

Highest rated
Counterpoint (1967)

Most popular right now
A Love Affair: The Eleanor and Lou Gehrig Story (1977)
Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.
How do Richard Berg's films land?
Their typical MovieCove film has a Midcredits score in the 36th percentile, the median of all 16; across their 16 films with reception data, the typical film sits in the 38th percentile for acclaim.
- 75th and up2
- 50th to 74th2
- 25th to 49th12
- Below 25th2
Shape of the crowd
9 of their 18 titles are Mixed.
- Universally Loved1
- Divisive1
- Cult Classic1
- Crowd Pleaser3
- Broadly Agreed3
- Mixed9
Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.
Who does Richard Berg work with?
People who share at least 2 of Richard Berg's MovieCove titles, grouped by what they did on them; Allan Marcil shares the most, 7.
Directors
- Paul WendkosShared titles: Bloodlines: Murder in the Family (1993), Special Delivery (1976)See all 2 shared titles with Paul Wendkos

- Lee PhilipsShared titles: The Spell (1977), Louis Armstrong - Chicago Style (1976)See all 2 shared titles with Lee Philips

Writers
- James LeeShared titles: Louis Armstrong - Chicago Style (1976), Banning (1967), Counterpoint (1967)See all 3 shared titles with James Lee
Actors
- Bonnie BartlettShared titles: Bloodlines: Murder in the Family (1993), Rape and Marriage: The Rideout Case (1980)See all 2 shared titles with Bonnie Bartlett

- Dennis QuaidShared titles: Johnny Belinda (1982), Are You in the House Alone? (1978)See all 2 shared titles with Dennis Quaid

- Gail StricklandShared titles: Rape and Marriage: The Rideout Case (1980), A Love Affair: The Eleanor and Lou Gehrig Story (1977)See all 2 shared titles with Gail Strickland

- Blythe DannerShared titles: Are You in the House Alone? (1978), A Love Affair: The Eleanor and Lou Gehrig Story (1977)See all 2 shared titles with Blythe Danner

Editors
- David NewhouseShared titles: A Love Affair: The Eleanor and Lou Gehrig Story (1977), The Spell (1977)See all 2 shared titles with David Newhouse
- J. Terry WilliamsShared titles: House of Cards (1968), Banning (1967)See all 2 shared titles with J. Terry Williams
Producers
- Allan MarcilShared titles: Rated X (2000), White Mile (1994), Bloodlines: Murder in the Family (1993), Fresh Horses (1988), An Invasion of Privacy (1983), Johnny Belinda (1982), Are You in the House Alone? (1978)See all 7 shared titles with Allan Marcil

- Charles W. FriesShared titles: Are You in the House Alone? (1978), A Love Affair: The Eleanor and Lou Gehrig Story (1977), The Spell (1977), Louis Armstrong - Chicago Style (1976)See all 4 shared titles with Charles W. Fries

- David MansonShared titles: A Love Affair: The Eleanor and Lou Gehrig Story (1977), The Spell (1977), Louis Armstrong - Chicago Style (1976)See all 3 shared titles with David Manson

- John IrelandShared titles: Louis Armstrong - Chicago Style (1976), Firehouse (1973)See all 2 shared titles with John Ireland
Mixed roles
- Thomas FriesShared titles: Bloodlines: Murder in the Family (1993), A Love Affair: The Eleanor and Lou Gehrig Story (1977)See all 2 shared titles with Thomas Fries



