- July 31, 1958 (68)
- Minneapolis, Minnesota, United States
- Actor and producer
- 8 on MovieCove
What are Frank Beddor's films like?
Across a limited sample of 4 MovieCove titles with a thematic analysis, their films lean Morality and Self.
What they feel like to watch
A split, not a type: Ironic 2 · Wry 1 · Earnest 1
A split, not a type: Light 2 · Serious 1 · Dark 1
Grounded 0 · Stylized 3 · Heightened 1
Gentle 1 · Charged 2 · Intense 1
Steady 1 · Shifting 3 · Whiplash 0
Straight-faced 1 · Some laughs 1 · Funny 2
Slow burn 1 · Even-paced 3 · Relentless 0
Casual 3 · Engaged 0 · Full focus 1
Easy watch 2 · Affecting 1 · Heavy 1
A split, not a type: Resolved 2 · Open-ended 0 · Ambiguous 2
Roles they play
- Shadowas Victor in Remote Control (1988)
Moods and endings
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch Frank Beddor's films?
As of October 24, 2026, 4 of their 8 MovieCove titles stream on a subscription or free service.
Subscription and free streaming for Frank Beddor's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.
Filmography
8 credits, 8 with a MovieCove page.
Midcredits score: 79th percentile of all films
Wicked(1998)
Midcredits score: 21st percentile of all films
Nightbreaker(1989)
Midcredits score: 53rd percentile of all films
Remote Control(1988)
Midcredits score: 27th percentile of all films
Made in U.S.A.(1987)
Midcredits score: 33rd percentile of all films
Amazon Women on the Moon(1987)
Midcredits score: 49th percentile of all films
L.A. Law(1986)
Midcredits score: 56th percentile of all shows
Better Off Dead(1985)
Midcredits score: 81st percentile of all films
Career shape
A full career of 8 titles from 1985 to 1998.

Biggest box office
There's Something About Mary (1998)

Highest rated
There's Something About Mary (1998)
Film career
- 1988Screen debut· Remote Control
Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.
How do Frank Beddor's films land?
Their typical MovieCove film has a Midcredits score in the 49th percentile, the median of all 7; across a limited sample of 4 films with reception data, the typical film sits in the 37th percentile for acclaim.
- 75th and up2
- 50th to 74th2
- 25th to 49th3
- Below 25th1
Shape of the crowd
4 of their 8 titles are Crowd Pleasers.
- Crowd Pleaser4
- Mixed4
Reviewers score the acting 69/100 in their films, across 4 reviewed titles; fans 77, detractors 35. The element that speaks to their work as an actor.
Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.
Who does Frank Beddor work with?
People who share at least 2 of Frank Beddor's MovieCove titles; Michael Steinberg shares the most, 2.
- Michael SteinbergShared titles: There's Something About Mary (1998), Wicked (1998)See all 2 shared titles with Michael Steinberg

