Aurelius Battaglia

What are Aurelius Battaglia's films like?

Across a limited sample of 3 MovieCove titles with a thematic analysis, their films lean Bonds and Self.

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Aurelius Battaglia's films?

As of October 24, 2026, all 3 MovieCove titles stream on a subscription or free service, on Disney+ (3).

• Disney+3 titles, browse their movies on this service
  • Pinocchio (1940) · writer
  • Dumbo (1941) · writer
  • Pinocchio (2022) · writer

Subscription and free streaming for Aurelius Battaglia's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

3 credits, 3 with a MovieCove page.

• 

  Pinocchio(2022)

  Writer

  Midcredits score: 16th percentile of all films16^th
• 

  Dumbo(1941)

  Writer

  Midcredits score: 85th percentile of all films85^th
• 

  Pinocchio(1940)

  Writer

  Midcredits score: 91st percentile of all films91^st

Career shape

Across a limited sample of 3 MovieCove titles from 1940 to 2022.

Biggest box office

Pinocchio (1940)

$122M worldwide

Highest rated

Pinocchio (1940)

Midcredits 91^st

How do Aurelius Battaglia's films land?

Their typical MovieCove film has a Midcredits score in the 85^th percentile, the median of all 3; across a limited sample of 3 films with reception data, the typical film sits in the 85^th percentile for acclaim.

Shape of the crowd

2 of their 3 titles are Crowd Pleasers.

21

• Crowd Pleaser2
• Mixed1

Most divisive · writer

Pinocchio (2022)

63^rd percentile spread · 38% rated it 4 or lower

Most loved · writer

Pinocchio (1940)

Midcredits 91^st · 78% liked

Reviewers score the dialogue 54/100 and the plot and story 38/100 in their films, across 3 reviewed titles. The element that speaks to their work as a writer.

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Is Aurelius Battaglia's work okay for kids?

Across a limited sample of up to 3 MovieCove titles with content scores.

Severity 0–100 from the Content Guide. Categories with under 10 votes on a title are not counted.

Who does Aurelius Battaglia work with?

People who share at least 2 of Aurelius Battaglia's MovieCove titles, grouped by what they did on them; Otto Englander shares the most, 3.