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R.H. Bassett

Composer · Died April 24, 1951, aged 72

Born
September 2, 1878
Died
April 24, 1951 (aged 72)
Works as
Composer
Titles
20 on MovieCove · 47 credits in all
TMDB popularity, last 37 days to Oct 26Down 35% in 30 days

What are R.H. Bassett's films like?

Across their 15 MovieCove titles with a thematic analysis, their films lean Bonds and Morality.

What they feel like to watch

their average across 15 films
ToneFeelDemandtheir average · filled zone: the category

Grounded 10 · Stylized 5 · Heightened 0

Gentle 4 · Charged 9 · Intense 2

Steady 8 · Shifting 7 · Whiplash 0

Straight-faced 7 · Some laughs 8 · Funny 0

Slow burn 6 · Even-paced 9 · Relentless 0

Casual 10 · Engaged 5 · Full focus 0

A split, not a type: Easy watch 8 · Affecting 4 · Heavy 3

Resolved 15 · Open-ended 0 · Ambiguous 0

Moods and endings

endings are an aggregate; no title is named

Dominant moods · mentions across their titles

Tense
7
Melancholic
6
Warm
6
Hopeful
5
Romantic
4
Other
9

How their films end · 3 with a twist

  • Happy9
  • Bittersweet5
  • Ambiguous1

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch R.H. Bassett's films?

As of October 24, 2026, 3 of their 20 MovieCove titles stream on a subscription or free service, most on The Roku Channel (2).

Subscription and free streaming for R.H. Bassett's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

47 credits, 20 with a MovieCove page.

  • Midcredits score: 73rd percentile of all films
  • Midcredits score: 61st percentile of all films
  • International Settlement (not in the MovieCove catalog yet)(1938)

    Composer

  • Think Fast, Mr. Moto(1937)

    Composer

    Midcredits score: 67th percentile of all films
  • Lloyd's of London(1936)

    Composer

    Midcredits score: 79th percentile of all films
  • Theodora Goes Wild (not in the MovieCove catalog yet)(1936)

    Additional Music

  • Craig's Wife (not in the MovieCove catalog yet)(1936)

    Composer

  • Midcredits score: 85th percentile of all films
  • Tough Guy (not in the MovieCove catalog yet)(1936)

    Composer

  • Dimples(1936)

    Composer

    Midcredits score: 64th percentile of all films
  • Song and Dance Man(1936)

    Composer

    Midcredits score: 23rd percentile of all films (provisional, few ratings)
  • The Road to Glory(1936)

    Composer

    Midcredits score: 75th percentile of all films
  • The Black Room(1935)

    Composer

    Midcredits score: 75th percentile of all films
  • Mad Love(1935)

    Composer

    Midcredits score: 86th percentile of all films
  • Midcredits score: 55th percentile of all films
  • Baby Face Harrington (not in the MovieCove catalog yet)(1935)

    Orchestrator

  • Shadow of Doubt (not in the MovieCove catalog yet)(1935)

    Composer

  • Gypsy Night (not in the MovieCove catalog yet)(1935)

    Composer

  • The Night Is Young(1935)

    Orchestrator

    Midcredits score: 42nd percentile of all films
  • Curly Top(1935)

    Composer

    Midcredits score: 72nd percentile of all films
  • Our Little Girl(1935)

    Composer

    Midcredits score: 59th percentile of all films
  • Society Doctor(1935)

    Composer

    Midcredits score: 40th percentile of all films
  • The Gay Bride (not in the MovieCove catalog yet)(1934)

    Composer

  • Evelyn Prentice(1934)

    Composer

    Midcredits score: 76th percentile of all films
  • Student Tour (not in the MovieCove catalog yet)(1934)

    Composer

  • Chained (not in the MovieCove catalog yet)(1934)

    Orchestrator

  • Midcredits score: 39th percentile of all films
  • The World Moves On(1934)

    Composer

    Midcredits score: 39th percentile of all films
  • Shanghai Madness (not in the MovieCove catalog yet)(1933)

    Composer

  • Pilgrimage (not in the MovieCove catalog yet)(1933)

    Composer

  • The Warrior's Husband (not in the MovieCove catalog yet)(1933)

    Composer

  • Robbers' Roost (not in the MovieCove catalog yet)(1932)

    Musical

  • Wild Girl (not in the MovieCove catalog yet)(1932)

    Composer

  • 6 Hours to Live (not in the MovieCove catalog yet)(1932)

    Composer

  • Chandu the Magician (not in the MovieCove catalog yet)(1932)

    Composer

  • Bachelor's Affairs (not in the MovieCove catalog yet)(1932)

    Composer

  • While Paris Sleeps (not in the MovieCove catalog yet)(1932)

    Composer

  • The Trial of Vivienne Ware (not in the MovieCove catalog yet)(1932)

    Composer

  • Surrender (not in the MovieCove catalog yet)(1931)

    Composer

  • The Yellow Ticket (not in the MovieCove catalog yet)(1931)

    Composer

  • The Spider (not in the MovieCove catalog yet)(1931)

    Composer

  • Transatlantic (not in the MovieCove catalog yet)(1931)

    Composer

  • Goldie (not in the MovieCove catalog yet)(1931)

    Composer

  • The Big Trail(1930)

    Composer

    Midcredits score: 86th percentile of all films
  • The Second Floor Mystery (not in the MovieCove catalog yet)(1930)

    Composer

  • Sunrise(1927)

    Composer

    Midcredits score: 97th percentile of all films
  • What Price Glory (not in the MovieCove catalog yet)(1926)

    Composer

Career shape

A full career of 37 titles from 1926 to 1939.

By role

only this rolewith another role
Writing1 of 37: 1 only writing, 0 with another roleMusic33 of 37: 33 only music, 0 with another role · typical Midcredits score79thOther crew3 of 37: 3 only other crew, 0 with another role

By decade

1920s2 · crew1930s35 · crew

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.

How do R.H. Bassett's films land?

Their typical MovieCove film has a Midcredits score in the 70th percentile, the median of all 20; across their 15 films with reception data, the typical film sits in the 62nd percentile for acclaim.

Acclaim · how much people like their films

62ndpercentile
Typical film, the median of 15

Approval · how many liked their films

61stpercentile
Typical film, the median of 15

Reach · how many have seen their films

36thpercentile
Typical film, the median of 15

Midcredits score across 20 titles, by percentile

  • 75th and up8
  • 50th to 74th7
  • 25th to 49th4
  • Below 25th1

Shape of the crowd

14 of their 20 titles are Crowd Pleasers.

  • Universally Loved1
  • Crowd Pleaser14
  • Broadly Agreed2
  • Mixed3

Reviewers score the sound and music 55/100 in their films, across 10 reviewed titles; fans 60, detractors 35. The element that speaks to their work as a composer.

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does R.H. Bassett work with?

People who share at least 2 of R.H. Bassett's MovieCove titles, grouped by what they did on them; Shirley Temple shares the most, 4.

Directors

Writers

Actors

Composers and cinematographers

Producers