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Jane Barclay

Producer · Born May 1, 1960 (66)

Born
May 1, 1960 (66)
Works as
Producer
Titles
22 on MovieCove · 25 credits in all
TMDB popularity, last 37 days to Oct 26Down 4% in 30 days

What are Jane Barclay's films like?

Across their 21 MovieCove titles with a thematic analysis, their films lean Bonds and Self.

What they feel like to watch

their average across 21 films
ToneFeelDemandtheir average · filled zone: the category

A split, not a type: Light 11 · Serious 5 · Dark 5

A split, not a type: Grounded 10 · Stylized 7 · Heightened 4

Gentle 6 · Charged 9 · Intense 6

Steady 8 · Shifting 11 · Whiplash 2

A split, not a type: Straight-faced 11 · Some laughs 7 · Funny 3

Slow burn 13 · Even-paced 8 · Relentless 0

A split, not a type: Casual 9 · Engaged 7 · Full focus 5

A split, not a type: Resolved 12 · Open-ended 5 · Ambiguous 4

Moods and endings

endings are an aggregate; no title is named

Dominant moods · mentions across their titles

Tense
12
Melancholic
9
Warm
5
Contemplative
5
Dread
3
Other
18

How their films end · 4 with a twist

  • Happy5
  • Bittersweet10
  • Tragic3
  • Ambiguous3

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Jane Barclay's films?

As of October 24, 2026, 10 of their 22 MovieCove titles stream on a subscription or free service, most on Tubi (7).

Subscription and free streaming for Jane Barclay's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

25 credits, 22 with a MovieCove page.

  • Blinded by the Light(2019)

    Producer

    Midcredits score: 78th percentile of all films
  • Before the Devil Knows You're Dead(2007)

    Executive Producer

    Midcredits score: 90th percentile of all films
  • Lucky Number Slevin(2006)

    Executive Producer

    Midcredits score: 94th percentile of all films
  • The Big White(2005)

    Executive Producer

    Midcredits score: 51st percentile of all films
  • Midcredits score: 33rd percentile of all films
  • Five Children and It(2004)

    Executive Producer

    Midcredits score: 28th percentile of all films
  • Elvis Has Left the Building(2004)

    Executive Producer

    Midcredits score: 19th percentile of all films
  • The Company(2003)

    Executive Producer

    Midcredits score: 55th percentile of all films
  • Sylvia(2003)

    Executive Producer

    Midcredits score: 52nd percentile of all films
  • Spider(2002)

    Executive Producer

    Midcredits score: 74th percentile of all films
  • Gosford Park(2001)

    Executive Producer

    Midcredits score: 87th percentile of all films
  • Beautiful Joe(2000)

    Producer

    Midcredits score: 32nd percentile of all films
  • Mad Cows (not in the MovieCove catalog yet)(1999)

    Executive Producer

  • Beowulf(1999)

    Executive Producer

    Midcredits score: 5th percentile of all films
  • The Last Yellow (not in the MovieCove catalog yet)(1999)

    Executive Producer

  • A Soldier's Daughter Never Cries(1998)

    Co-Executive Producer

    Midcredits score: 69th percentile of all films
  • Lulu on the Bridge(1998)

    Executive Producer

    Midcredits score: 50th percentile of all films
  • Dancing at Lughnasa(1998)

    Executive Producer

    Midcredits score: 51st percentile of all films
  • Among Giants(1998)

    Executive Producer

    Midcredits score: 35th percentile of all films
  • The Winter Guest(1997)

    Executive Producer

    Midcredits score: 74th percentile of all films
  • Kiss Me, Guido(1997)

    Producer

    Midcredits score: 42nd percentile of all films
  • A Good Man in Africa(1994)

    Executive Producer

    Midcredits score: 10th percentile of all films
  • Death and the Maiden(1994)

    Executive Producer

    Midcredits score: 88th percentile of all films
  • Cover-Up(1991)

    Executive Producer

    Midcredits score: 5th percentile of all films
  • The Fugitive (not in the MovieCove catalog yet)(1963)

    Show 2 episodes · as Mrs. Anderson

Career shape

A full career of 22 titles from 1963 to 2019.

By role

only this rolewith another role
Acting1 of 22: 1 only acting, 0 with another roleProducing21 of 22: 21 only producing, 0 with another role · typical Midcredits score52nd

By decade

1960s1 · acting1990s11 · crew2000s9 · crew2010s1 · crew

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.

How do Jane Barclay's films land?

Their typical MovieCove film has a Midcredits score in the 51st percentile, the median of all 22; across their 21 films with reception data, the typical film sits in the 48th percentile for acclaim.

Acclaim · how much people like their films

48thpercentile
Typical film, the median of 21

Approval · how many liked their films

51stpercentile
Typical film, the median of 21

Reach · how many have seen their films

83rdpercentile
Typical film, the median of 21

Midcredits score across 22 titles, by percentile

  • 75th and up5
  • 50th to 74th8
  • 25th to 49th5
  • Below 25th4

Shape of the crowd

11 of their 22 titles are Crowd Pleasers.

  • Universally Loved1
  • Universally Panned1
  • Crowd Pleaser11
  • Broadly Agreed1
  • Mixed8

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Is Jane Barclay's work okay for kids?

Across up to 10 MovieCove titles with content scores, violence & gore, sex & nudity, profanity, alcohol & drugs and frightening / intense run heavier than most films.

Their medianMedian of all filmsMiddle 80% of their titles
Violence & Gore5 titles33–84 · median 70 · intenseheavier than most filmsMedian of all films: 44
Sex & Nudity10 titles26–66 · median 53 · moderateheavier than most filmsMedian of all films: 32
Profanity6 titles43–86 · median 69 · intenseheavier than most filmsMedian of all films: 36
Alcohol & Drugs5 titles19–75 · median 44 · moderateheavier than most filmsMedian of all films: 33
Frightening / Intense6 titles27–75 · median 62 · intenseheavier than most filmsMedian of all films: 39

Severity 0–100 from the Content Guide. Categories with under 10 votes on a title are not counted. The band's colour is the severity of their median, named beside it.

Who does Jane Barclay work with?

People who share at least 2 of Jane Barclay's MovieCove titles, grouped by what they did on them; Sharon Harel shares the most, 18.

Directors

Writers

Actors

Editors

Producers