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John Baldecchi

John Baldecchi

Producer, also actor and writer

Mr. Baldecchi is the CEO of Digital Riot Media (DRM), a media strategist and content producer. DRM has built a slate of movies and episodic shows focused on new forms of distribution. Digital Riot's current feature productions include the Netflix feature 'Sandkings' based on the George RR Martin short story and the re-imagining of the Stephen King classic, 'Children of the Corn' which will be released Q1 2021. Prior to that DRM produced the sequel to Universal's millennial thriller 'Happy Death Day' titled 'Happy Death Day 2U'. The original 'Happy Death Day' grossed $125M worldwide on a budget of $4.8M. On the series side, next up will be the Amazon series 'Glitches', based on the novel 'Glitch Rain'. DRM financed, produced and distributed 'FML' a direct to consumer digital feature. John's most recent big budget studio movie was the reboot of Alcon/Warner Bros. 'Point Break', based on the seminal action film. John's long-standing relationships run deep into the major media companies, agencies and management firms. He has meaningful business relationships with Sony where his company was housed for many years as well. He has produced or developed movies, miniseries and series with Disney, Paramount, AMC, Warner Bros., Lionsgate, MGM, , ABC, Sony Pictures Animation, New Regency and Paramount, MGM, Showtime, Amazon, Netflix, The CW and so on. He has also successfully negotiated IP deals with tech companies such as Valve, id Software and Activision in addition to negotiating a first-ever all-rights deal with Mattel for their premium brand - Hot Wheels. John was President of Production for Laurence Mark when the company produced 'Jerry Maguire' and 'As Good As It Gets'. Highlights of Mr. Baldecchi's produced projects include: 'Odd Thomas' - based on the international best-seller by Dean Koontz, starring Anton Yelchin, Willem Dafoe and directed by Stephen Sommers ('Mummy'/'Mummy Returns'/'G.I. Joe'), 'Conan The Barbarian' - Lionsgate's reboot based on the novels by Robert E. Howard, starring Jason Mamoa ('Aquaman'), Stephen Lang ('Avatar') and directed by Marcus Nispel, Sony's '88 Minutes' starring Al Pacino and directed by Jon Avnet ('Righteous Kill'), Sony's 'UltraViolet' starring Milla Jovovich, directed by Kurt Wimmer ('Salt', 'Law Abiding Citizen', 'Equilibrium'), DreamWorks' 'The Mexican' starring Brad Pitt, Julia Roberts, James Gandolfini and directed by Gore Verbinski ('Pirates of the Caribbean 1-3', 'Rango'), Disney's 'Simon Birch', based on the novel 'A Prayer for Owen Meany' by John Irving starring Ashley Judd, Oliver Platt, Jim Carrey and directed by Mark Steven Johnson ('Daredevil', 'Ghost Rider'), Disney's 'Oliver Twist' (ABC/Disney Television Movie) based on the novel by Charles Dickens, starring Richard Dreyfuss and Elijah wood, 'The Adventures of Huck Finn' based on the novel by Mark Twain, starring Elijah Wood and directed by Stephen Sommers, 'Tom and Huck' based on the novel by Mark Twain, starring Jonathon Taylor Thomas and many more, both from Disney. Some additional highlights include - 'Berlin Mesa' based on the novel by Michael Beckner - developed at AMC as a mini-series, 'Carter Beats the Devil' based on the novel by Glen David Gold, developed at AMC as a series, 'Scared Guys' developed as a feature at Sony with Gore Verbinski attached to direct, 'RPM' at Sony, 'Argonauts' at DreamWorks, 'Delilah' at Sony and many more projects developed at major studios. John is a proven media expert and a trusted media consultant for private equity and technology companies. He has comprehensive knowledge of financing for film and television as well as foreign distribution. He has an expertise in monetizing media through domestic and international distribution platforms with special emphasis on mobile technology and social networking. John's ability to bridge the different business cultures from technology and new media to television, movies and video games as well as bridging the gap between Hollywood to Silicon Valley have served to make him a trusted consultant. His business exploits have been widely reported on and have appeared in dozens of periodicals, both locally and nationally as well as on CNN. John graduated UCLA with a degree in economics, is a member of the WGA, DGA, PGA and resides in Los Angeles.

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Biography from IMDb.

Works as
Producer, also actor and writer
Titles
20 on MovieCove · 22 credits in all
TMDB popularity, last 155 days to Oct 26Down 23% in 30 days

What are John Baldecchi's films like?

Across their 20 MovieCove titles with a thematic analysis, their films lean Morality and Bonds.

What they feel like to watch

their average across 20 films
ToneFeelDemandtheir average · filled zone: the category

Grounded 8 · Stylized 10 · Heightened 2

Gentle 1 · Charged 10 · Intense 9

Steady 3 · Shifting 12 · Whiplash 5

Straight-faced 8 · Some laughs 9 · Funny 3

Slow burn 1 · Even-paced 13 · Relentless 6

A split, not a type: Casual 11 · Engaged 7 · Full focus 2

Easy watch 8 · Affecting 10 · Heavy 2

Resolved 14 · Open-ended 5 · Ambiguous 1

Moods and endings

endings are an aggregate; no title is named

Dominant moods · mentions across their titles

Tense
12
Thrilling
11
Dread
5
Absurd
6
Hopeful
5
Other
15

How their films end · 8 with a twist

  • Happy8
  • Bittersweet7
  • Tragic1
  • Ambiguous4

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch John Baldecchi's films?

As of October 24, 2026, 15 of their 20 MovieCove titles stream on a subscription or free service.

Subscription and free streaming for John Baldecchi's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

22 credits, 20 with a MovieCove page; 1 appearance as themselves is hidden until asked for.

  • The Bay(2026)

    Executive Producer

    Midcredits score: 3rd percentile of all films
  • #AMFAD: All My Friends Are Dead(2024)

    Producer · Story

    Midcredits score: 9th percentile of all films
  • Children of the Corn(2020)

    Producer

    Midcredits score: 1st percentile of all films
  • Happy Death Day 2U(2019)

    Executive Producer

    Midcredits score: 49th percentile of all films
  • Happy Death Day(2017)

    Executive Producer

    Midcredits score: 65th percentile of all films
  • FML(2016)

    Producer · as George

    Midcredits score: 48th percentile of all films
  • Point Break(2015)

    Producer

    Midcredits score: 20th percentile of all films
  • Odd Thomas(2013)

    Producer

    Midcredits score: 73rd percentile of all films
  • Conan the Barbarian(2011)

    Producer

    Midcredits score: 14th percentile of all films
  • 88 Minutes(2007)

    Executive Producer

    Midcredits score: 29th percentile of all films
  • Ultraviolet(2006)

    Producer

    Midcredits score: 7th percentile of all films
  • Stark Raving Mad(2002)

    Producer

    Midcredits score: 51st percentile of all films
  • The Mexican(2001)

    Producer

    Midcredits score: 44th percentile of all films
  • Simon Birch(1998)

    Executive Producer

    Midcredits score: 68th percentile of all films
  • Deep Rising(1998)

    Producer

    Midcredits score: 48th percentile of all films
  • Oliver Twist(1997)

    Executive Producer

    Midcredits score: 51st percentile of all films
  • Cutthroat Island(1995)

    Co-Producer

    Midcredits score: 34th percentile of all films
  • Tom and Huck(1995)

    Producer

    Midcredits score: 27th percentile of all films
  • Gunmen(1993)

    Co-Producer

    Midcredits score: 20th percentile of all films
  • Midcredits score: 50th percentile of all films
  • MOM (not in the MovieCove catalog yet)

    Producer

  • Twilight of the Dead (not in the MovieCove catalog yet)

    Producer

Career shape

A full career of 21 titles, 19 of them dated from 1993 to 2026.

By role

only this rolewith another role
Acting1 of 21: 0 only acting, 1 with another roleWriting1 of 21: 0 only writing, 1 with another roleProducing21 of 21: 19 only producing, 2 with another role · typical Midcredits score34th

By decade

1990s7 · crew2000s3 · crew2010s6 · 1 acting · 6 crew2020s3 · crew

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.

How do John Baldecchi's films land?

Their typical MovieCove film has a Midcredits score in the 39th percentile, the median of all 20; across their 20 films with reception data, the typical film sits in the 33rd percentile for acclaim.

Acclaim · how much people like their films

33rdpercentile
Typical film, the median of 20

Approval · how many liked their films

39thpercentile
Typical film, the median of 20

Reach · how many have seen their films

92ndpercentile
Typical film, the median of 20

Midcredits score across 20 titles, by percentile

  • 50th to 74th6
  • 25th to 49th7
  • Below 25th7

Shape of the crowd

8 of their 20 titles are Mixed.

  • Universally Panned2
  • Loved with Detractors1
  • Crowd Pleaser6
  • Broadly Agreed3
  • Mixed8

Reviewers score the acting 53/100 in their films, across 20 reviewed titles; fans 68, detractors 32. The element that speaks to their work as an actor.

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Is John Baldecchi's work okay for kids?

Across up to 15 MovieCove titles with content scores, violence & gore and frightening / intense run heavier than most films.

Their medianMedian of all filmsMiddle 80% of their titles
Violence & Gore13 titles52–86 · median 66 · intenseheavier than most filmsMedian of all films: 44
Sex & Nudity15 titles14–64 · median 29 · mildnear the median of all filmsMedian of all films: 32
Profanity12 titles27–57 · median 42 · moderatenear the median of all filmsMedian of all films: 36
Alcohol & Drugs10 titles26–42 · median 34 · mildnear the median of all filmsMedian of all films: 33
Frightening / Intense12 titles53–66 · median 58 · moderateheavier than most filmsMedian of all films: 39

Severity 0–100 from the Content Guide. Categories with under 10 votes on a title are not counted. The band's colour is the severity of their median, named beside it.

Who does John Baldecchi work with?

People who share at least 2 of John Baldecchi's MovieCove titles, grouped by what they did on them; Laurence Mark shares the most, 7.

Directors

Writers

Actors

Composers, cinematographers and editors

Producers