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Emanuel Azenberg

Producer and actor · Born January 22, 1934 (92) · New York City, New York, USA

Emanuel Azenberg was born on 22 January 1934 in New York City, New York, USA. He is a producer and production manager, known for Rosencrantz & Guildenstern Are Dead (1990), American Playhouse (1980) and Hamilton (2020).

Biography from IMDb.

Born
January 22, 1934 (92)
From
New York City, New York, USA
Works as
Producer and actor
Titles
6 on MovieCove · 11 credits in all
TMDB popularity, last 155 days to Oct 26Down 33% in 30 days

What are Emanuel Azenberg's films like?

Across a limited sample of 4 MovieCove titles with a thematic analysis, their films lean Bonds and Self.

Themes

share of theme weight
Bonds
29%
Self
20%
Ideas
18%
Power
13%
Morality
12%
Society
8%

What they feel like to watch

their average across 4 films
ToneFeelDemandtheir average · filled zone: the category

A split, not a type: Grounded 3 · Stylized 0 · Heightened 1

Gentle 1 · Charged 3 · Intense 0

Steady 3 · Shifting 1 · Whiplash 0

A split, not a type: Straight-faced 1 · Some laughs 1 · Funny 2

Slow burn 4 · Even-paced 0 · Relentless 0

Casual 1 · Engaged 2 · Full focus 1

A split, not a type: Resolved 3 · Open-ended 0 · Ambiguous 1

Moods and endings

endings shown from 5 titles

Dominant moods · mentions across their titles

Bittersweet
2
Tense
2
Melancholic
2
Absurd
1
Warm
1
Other
3

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Emanuel Azenberg's films?

As of October 24, 2026, 5 of their 6 MovieCove titles stream on a subscription or free service.

Subscription and free streaming for Emanuel Azenberg's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

11 credits, 6 with a MovieCove page; 4 appearances as themselves are hidden until asked for.

  • Smash(2012)

    Show 2 episodes · as Emanuel Azenberg

    Midcredits score: 76th percentile of all shows
  • Midcredits score: 80th percentile of all films
  • Midcredits score: 55th percentile of all films
  • Lost in Yonkers(1993)

    Producer

    Midcredits score: 73rd percentile of all films
  • Broadway Bound (not in the MovieCove catalog yet)(1992)

    Executive Producer

  • Midcredits score: 88th percentile of all films
  • Age-Old Friends (not in the MovieCove catalog yet)(1989)

    Production Consultant

  • Sunday in the Park with George (not in the MovieCove catalog yet)(1986)

    Executive Producer

  • Midcredits score: 92nd percentile of all films
  • 'Master Harold'... and the Boys (not in the MovieCove catalog yet)(1985)

    Executive Producer

  • They're Playing Our Song (not in the MovieCove catalog yet)(1979)

    Producer

Career shape

A full career of 9 titles from 1979 to 2012.

By role

only this rolewith another role
Acting2 of 9: 2 only acting, 0 with another roleProducing6 of 9: 6 only producing, 0 with another roleOther crew1 of 9: 1 only other crew, 0 with another role

By decade

1970s1 · crew1980s4 · crew1990s2 · crew2000s1 · acting2010s1 · acting

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it.

How do Emanuel Azenberg's films land?

Their typical MovieCove film has a Midcredits score in the 80th percentile, the median of all 5; across a limited sample of 4 films with reception data, the typical film sits in the 72nd percentile for acclaim.

Acclaim · how much people like their films

72ndpercentile
Typical film, the median of 4

Approval · how many liked their films

82ndpercentile
Typical film, the median of 4

Reach · how many have seen their films

61stpercentile
Typical film, the median of 4

Midcredits score across 6 titles, by percentile

  • 75th and up4
  • 50th to 74th2

Reviewers score the acting 80/100 in their films, across 4 reviewed titles; fans 86, detractors 41. The element that speaks to their work as an actor.

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does Emanuel Azenberg work with?

People who share at least 2 of Emanuel Azenberg's MovieCove titles, grouped by what they did on them; Neil Simon shares the most, 2.

Writers

Actors