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Dominique Antoine

Producer · Died March 27, 2022, aged 85 · Paris, France

Born
December 12, 1936
Died
March 27, 2022 (aged 85)
From
Paris, France
Works as
Producer
Titles
5 on MovieCove · 16 credits in all
Links
IMDb (opens in a new tab)TMDB (opens in a new tab)

Known for

TMDB popularity, last 37 days to Oct 26Up 25% in 30 days

What are Dominique Antoine's films like?

Across a limited sample of 4 MovieCove titles with a thematic analysis, their films lean Ideas and Morality.

Genres

Documentary2 titlesTypical Midcredits score: 91st percentile, at or above their average across these genres
: browse their Documentary movies
Drama2 titlesTypical Midcredits score: 52nd percentile
: browse their Drama movies

Their MovieCove films by primary genre. The badge is the typical Midcredits score of the genre's films, the median percentile; an up arrow marks a genre at or above their average across these genres.

Themes

share of theme weight
Ideas
29%
Morality
24%
Society
16%
Power
12%
Bonds
8%
Survival
6%
Self
5%
Art3 titles, browse their movies with this themeLegacy2 titles, browse their movies with this theme

What they feel like to watch

their average across 4 films
ToneFeelDemandtheir average · filled zone: the category
Serious: How heavy the subject matter and outlook get. Browse their serious movies.
Tone · Weight
lightdark

A split, not a type: Light 1 · Serious 1 · Dark 2

Stylized: How far its world departs from everyday reality. Browse their stylized movies.
Tone · Style
naturalisticheightened

A split, not a type: Grounded 2 · Stylized 0 · Heightened 2

Charged: How hard the emotional peaks hit while you watch. Browse their charged movies.
Feel · Intensity
gentleintense

A split, not a type: Gentle 2 · Charged 1 · Intense 1

Shifting: How much it swings between very different feelings. Browse their shifting movies.
Feel · Swings
steadyswings

A split, not a type: Steady 2 · Shifting 1 · Whiplash 1

Some laughs: How much of the runtime is played for laughs. Browse their some laughs movies.
Feel · Humor
noneconstant

Straight-faced 2 · Some laughs 2 · Funny 0

Slow burn: How fast it moves from scene to scene. Browse their slow burn movies.
Demand · Pace
slowrelentless

Slow burn 3 · Even-paced 1 · Relentless 0

Engaged: How much focus it asks of you — look away and lose the thread? Browse their engaged movies.
Demand · Attention
casualfull focus

Casual 0 · Engaged 3 · Full focus 1

Affecting: How much it costs you emotionally; whether you need recovery time. Browse their affecting movies.
Demand · Emotional cost
easyheavy

A split, not a type: Easy watch 2 · Affecting 0 · Heavy 2

Ambiguous: How much is left for you to interpret. Browse their ambiguous movies.
Demand · Resolution
resolvedambiguous

Resolved 1 · Open-ended 1 · Ambiguous 2

Moods and endings

endings shown from 5 titles

Dominant moods · mentions across their titles

Melancholic
3
Tense
2
Contemplative
2
Absurd
1
Dread
1
Other
3

How their films linger

Thought-provoking3 titles, browse their movies with this aftertaste

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Dominique Antoine's films?

As of October 24, 2026, 4 of their 5 MovieCove titles stream on a subscription or free service, most on Netflix (2).

Subscription and free streaming for Dominique Antoine's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

16 credits, 5 with a MovieCove page; 1 appearance as themselves is hidden until asked for.

  • The Other Side of the Wind(2018)

    Producer

    Midcredits score: 75th percentile of all films

  • They'll Love Me When I'm Dead(2018)

    Thanks · as Self

    Midcredits score: 92nd percentile of all films

  • Richelieu: The Purple and the Blood (not in the MovieCove catalog yet)(2014)

    Producer

  • Louis XI, le pouvoir fracassé (not in the MovieCove catalog yet)(2011)

    Producer

  • L'Affaire Salengro (not in the MovieCove catalog yet)(2009)

    Producer

  • The Sweet Country of My Childhood (not in the MovieCove catalog yet)(2006)

    Producer

  • Le Frangin d'Amérique (not in the MovieCove catalog yet)(2005)

    Producer

  • Louise (not in the MovieCove catalog yet)(2005)

    Producer

  • Dessine-moi un jouet (not in the MovieCove catalog yet)(1999)

    Producer

  • The Fire That Burns (not in the MovieCove catalog yet)(1997)

    Producer

  • Orson Welles: The One-Man Band(1995)

    Producer

    Midcredits score: 86th percentile of all films

  • A Soldier's Tale(1989)

    Line Producer

    Midcredits score: 29th percentile of all films

  • Leave All Fair (not in the MovieCove catalog yet)(1985)

    Executive Producer

  • La Puce et le privé (not in the MovieCove catalog yet)(1981)

    Executive Producer

  • F for Fake(1973)

    Producer

    Midcredits score: 96th percentile of all films

  • The Benefit of the Doubt (not in the MovieCove catalog yet)(1967)

    Producer

Career shape

A full career of 15 titles from 1967 to 2018.

Biggest box office

F for Fake (1973)

$11K worldwide

Highest rated

F for Fake (1973)

Midcredits 96th

Most popular right now

The Other Side of the Wind (2018)

By role

only this rolewith another role
Producing14 of 15: 14 only producing, 0 with another roleOther crew1 of 15: 1 only other crew, 0 with another role

By decade

1960s1 · crew1970s1 · crew1980s3 · crew1990s2 · crew2000s4 · crew2010s4 · crew

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it.

How do Dominique Antoine's films land?

Their typical MovieCove film has a Midcredits score in the 86th percentile, the median of all 5; across a limited sample of 4 films with reception data, the typical film sits in the 81st percentile for acclaim.

Acclaim · how much people like their films

81stpercentile
Typical film, the median of 4

Approval · how many liked their films

77thpercentile
Typical film, the median of 4

Reach · how many have seen their films

63rdpercentile
Typical film, the median of 4

Midcredits score across 5 titles, by percentile

  • 75th and up4
  • 25th to 49th1

Shape of the crowd

3 of their 5 titles are Crowd Pleasers.

  • Universally Loved1
  • Crowd Pleaser3
  • Mixed1

Most divisive · producer

A Soldier's Tale (1989)

54th percentile spread · 20% rated it 4 or lower

Most loved · producer

F for Fake (1973)

Midcredits 96th · 82% liked

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does Dominique Antoine work with?

People who share at least 2 of Dominique Antoine's MovieCove titles, grouped by what they did on them; Oja Kodar shares the most, 3.

Directors

Actors

Composers

Mixed roles