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Peter Amundson

Editor

Works as
Editor
Titles
23 on MovieCove · 24 credits in all
Links
IMDb (opens in a new tab)TMDB (opens in a new tab)Wikidata (opens in a new tab)

Known for

TMDB popularity, last 155 days to Oct 26Down 30% in 30 days

What are Peter Amundson's films like?

Across their 20 MovieCove titles with a thematic analysis, their films lean Morality and Bonds.

Themes

share of theme weight
Morality
24%
Bonds
21%
Self
20%
Survival
16%
Power
15%
Society
1%
Ideas
1%
Family bonds7 titles, browse their movies with this themeSurvival6 titles, browse their movies with this themeJustice3 titles, browse their movies with this themeBetrayal4 titles, browse their movies with this themeFreedom3 titles, browse their movies with this themeIdentity3 titles, browse their movies with this themeAmbition3 titles, browse their movies with this themeLoyalty2 titles, browse their movies with this theme

What they feel like to watch

their average across 20 films
ToneFeelDemandtheir average · filled zone: the category
Serious: How heavy the subject matter and outlook get. Browse their serious movies.
Tone · Weight
lightdark

A split, not a type: Light 6 · Serious 5 · Dark 9

Stylized: How far its world departs from everyday reality. Browse their stylized movies.
Tone · Style
naturalisticheightened

Grounded 3 · Stylized 9 · Heightened 8

Intense: How hard the emotional peaks hit while you watch. Browse their intense movies.
Feel · Intensity
gentleintense

Gentle 1 · Charged 7 · Intense 12

Shifting: How much it swings between very different feelings. Browse their shifting movies.
Feel · Swings
steadyswings

Steady 5 · Shifting 13 · Whiplash 2

Some laughs: How much of the runtime is played for laughs. Browse their some laughs movies.
Feel · Humor
noneconstant

A split, not a type: Straight-faced 11 · Some laughs 5 · Funny 4

Even-paced: How fast it moves from scene to scene. Browse their even-paced movies.
Demand · Pace
slowrelentless

Slow burn 0 · Even-paced 14 · Relentless 6

Engaged: How much focus it asks of you — look away and lose the thread? Browse their engaged movies.
Demand · Attention
casualfull focus

Casual 7 · Engaged 12 · Full focus 1

Resolved: How much is left for you to interpret. Browse their resolved movies.
Demand · Resolution
resolvedambiguous

Resolved 17 · Open-ended 2 · Ambiguous 1

Moods and endings

endings are an aggregate; no title is named

Dominant moods · mentions across their titles

Tense
16
Thrilling
11
Dread
5
Melancholic
6
Joyful
2
Other
16

How their films linger

Fun7 titles, browse their movies with this aftertasteBittersweet9 titles, browse their movies with this aftertasteRousing6 titles, browse their movies with this aftertasteHopeful5 titles, browse their movies with this aftertasteFeel-good4 titles, browse their movies with this aftertasteThought-provoking4 titles, browse their movies with this aftertaste

How their films end · 4 with a twist

  • Happy6
  • Bittersweet14

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Peter Amundson's films?

As of October 24, 2026, 17 of their 23 MovieCove titles stream on a subscription or free service, most on Tubi (5).

Also on these channels

Subscription and free streaming for Peter Amundson's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

24 credits, 23 with a MovieCove page.

  • Xtreme(2021)

    Editor

    Midcredits score: 38th percentile of all films

  • Ghosts of War(2020)

    Editor

    Midcredits score: 26th percentile of all films

  • Underworld: Blood Wars(2016)

    Editor

    Midcredits score: 32nd percentile of all films

  • Tracers(2015)

    Editor

    Midcredits score: 26th percentile of all films

  • Pacific Rim(2013)

    Editor

    Midcredits score: 80th percentile of all films

  • Alvin and the Chipmunks: Chipwrecked(2011)

    Editor

    Midcredits score: 16th percentile of all films

  • Ironclad(2011)

    Editor

    Midcredits score: 46th percentile of all films

  • Zombieland(2009)

    Editor

    Midcredits score: 93rd percentile of all films

  • Gamer(2009)

    Editor

    Midcredits score: 27th percentile of all films

  • Underworld: Rise of the Lycans(2009)

    Editor

    Midcredits score: 62nd percentile of all films

  • Shoot 'Em Up(2007)

    Editor

    Midcredits score: 65th percentile of all films

  • Sky High(2005)

    Editor

    Midcredits score: 57th percentile of all films

  • Hellboy(2004)

    Editor

    Midcredits score: 78th percentile of all films

  • The Butterfly Effect(2004)

    Editor

    Midcredits score: 92nd percentile of all films

  • Blade II(2002)

    Editor

    Midcredits score: 68th percentile of all films

  • The Skulls(2000)

    Editor

    Midcredits score: 27th percentile of all films

  • Godzilla(1998)

    Editor

    Midcredits score: 21st percentile of all films

  • Daylight(1996)

    Editor

    Midcredits score: 37th percentile of all films

  • DragonHeart(1996)

    Editor

    Midcredits score: 60th percentile of all films

  • Vanishing Son II (not in the MovieCove catalog yet)(1994)

    Editor

  • Full Eclipse(1993)

    Editor

    Midcredits score: 27th percentile of all films

  • Dragon: The Bruce Lee Story(1993)

    Editor

    Midcredits score: 81st percentile of all films

  • The Serpent and the Rainbow(1988)

    Additional Editing

    Midcredits score: 60th percentile of all films

  • Raiders of the Lost Ark(1981)

    Visual Effects Assistant Editor

    Midcredits score: 99th percentile of all films

Career shape

A full career of 23 titles from 1981 to 2020.

Biggest box office

Godzilla (1998)

$379M worldwide

Highest rated

Zombieland (2009)

Midcredits 93rd

Most popular right now

Godzilla (1998)

By role

only this rolewith another role
Editing21 of 23: 21 only editing, 0 with another role · typical Midcredits score52ndOther crew2 of 23: 2 only other crew, 0 with another role

By decade

1980s2 · crew1990s6 · crew2000s9 · crew2010s5 · crew2020s1 · crew

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.

How do Peter Amundson's films land?

Their typical MovieCove film has a Midcredits score in the 57th percentile, the median of all 23; across their 20 films with reception data, the typical film sits in the 45th percentile for acclaim.

Acclaim · how much people like their films

45thpercentile
Typical film, the median of 20

Approval · how many liked their films

40thpercentile
Typical film, the median of 20

Reach · how many have seen their films

96thpercentile
Typical film, the median of 20

Midcredits score across 23 titles, by percentile

  • 75th and up6
  • 50th to 74th6
  • 25th to 49th9
  • Below 25th2

Shape of the crowd

9 of their 23 titles are Crowd Pleasers.

  • Universally Loved3
  • Crowd Pleaser9
  • Broadly Agreed4
  • Mixed7

Most divisive · editor

Alvin and the Chipmunks: Chipwrecked (2011)

69th percentile spread · 44% rated it 4 or lower

Most loved · editor

Zombieland (2009)

Midcredits 93rd · 84% liked

Reviewers score the pacing 51/100 in their films, across 20 reviewed titles; fans 64, detractors 32. The element that speaks to their work as an editor.

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Is Peter Amundson's work okay for kids?

Across up to 19 MovieCove titles with content scores, violence & gore and frightening / intense run heavier than most films.

Their medianMedian of all filmsMiddle 80% of their titles
Violence & Gore17 titles52–96 · median 85 · severeheavier than most filmsMedian of all films: 44
Sex & Nudity19 titles13–72 · median 36 · moderatenear the median of all filmsMedian of all films: 32
Profanity16 titles13–87 · median 40 · moderatenear the median of all filmsMedian of all films: 36
Alcohol & Drugs16 titles3–66 · median 29 · mildnear the median of all filmsMedian of all films: 33
Frightening / Intense17 titles40–89 · median 62 · intenseheavier than most filmsMedian of all films: 39

Severity 0–100 from the Content Guide. Categories with under 10 votes on a title are not counted. The band's colour is the severity of their median, named beside it.

Who does Peter Amundson work with?

People who share at least 2 of Peter Amundson's MovieCove titles, grouped by what they did on them; Rob Cohen shares the most, 4.

Directors

Writers

Actors

Composers and cinematographers

Producers