Skip to content
MovieCove
Alex Thomson

Alex Thomson

Cinematographer · Died June 14, 2007, aged 78 · London, England, UK

Alexander Thomson BSC (12 January 1929 – 14 June 2007) was a British cinematographer. Born in London, England, he was first offered a job by Bert Easey (1901-1973), who was head of cameras at Denham and Pinewood Studios. He was nominated for the Academy Award for Best Cinematography for Excalibur (1981). His other films included Year of the Dragon (1985), Legend (1985), Labyrinth (1986), The Krays (1990), Alien 3 (1992), Cliffhanger (1993), Demolition Man (1993), Executive Decision (1996) and two of Kenneth Branagh's Shakespeare adaptations, Hamlet (1996) and Love's Labour's Lost (2000). After beginning his film career in the late 1940s, he went on to serve as a camera operator under cinematographer Nicolas Roeg on twelve films between 1961 and 1966. In 1998 he shot the Royal Premiered CinemaScope short "The Troop" (dir: Marcus Dillistone) An interview with Alex Thomson appears in a new book Conversations with Cinematographers by David A Ellis, published by Scarecrow Press. Thompson was an avid user of Joe Dunton's custom-built Xtal Xpress lenses, shooting many of his more high-profile projects such as Labyrinth, Legend, The Keep, Year of the Dragon and The Sicilian with them. He was married to the sculptor Diana Thomson, and they had a daughter. Thomson died on 14 June 2007, at the age of 78, in Chertsey, Surrey.

Read more

Biography from TMDB.

Born
January 12, 1929
Died
June 14, 2007 (aged 78)
From
London, England, UK
Works as
Cinematographer
Titles
43 on MovieCove · 58 credits in all
TMDB popularity, last 37 days to Oct 26Up 41% in 30 days

What are Alex Thomson's films like?

Across their 34 MovieCove titles with a thematic analysis, their films lean Morality and Power.

What they feel like to watch

their average across 34 films
ToneFeelDemandtheir average · filled zone: the category

A split, not a type: Light 13 · Serious 4 · Dark 17

Grounded 6 · Stylized 18 · Heightened 10

A split, not a type: Gentle 8 · Charged 7 · Intense 19

Steady 10 · Shifting 20 · Whiplash 4

A split, not a type: Straight-faced 19 · Some laughs 10 · Funny 5

Slow burn 15 · Even-paced 16 · Relentless 3

Casual 12 · Engaged 19 · Full focus 3

A split, not a type: Easy watch 17 · Affecting 5 · Heavy 12

Resolved 26 · Open-ended 4 · Ambiguous 4

Moods and endings

endings are an aggregate; no title is named

Dominant moods · mentions across their titles

Tense
22
Melancholic
15
Dread
11
Absurd
9
Romantic
6
Other
22

How their films end · 3 with a twist

  • Happy10
  • Bittersweet15
  • Tragic5
  • Ambiguous4

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Alex Thomson's films?

As of October 24, 2026, 24 of their 43 MovieCove titles stream on a subscription or free service, most on Tubi (11).

Subscription and free streaming for Alex Thomson's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

58 credits, 43 with a MovieCove page; 4 appearances as themselves are hidden until asked for.

  • Der letzte Flug (not in the MovieCove catalog yet)(2004)

    Cinematographer

  • Listening (not in the MovieCove catalog yet)(2003)

    Cinematographer

  • A Shot at Glory(2000)

    Cinematographer

    Midcredits score: 50th percentile of all films
  • Love's Labour's Lost(2000)

    Cinematographer

    Midcredits score: 37th percentile of all films
  • Hamlet(1996)

    Cinematographer

    Midcredits score: 93rd percentile of all films
  • Executive Decision(1996)

    Cinematographer

    Midcredits score: 61st percentile of all films
  • The Scarlet Letter(1995)

    Cinematographer

    Midcredits score: 27th percentile of all films
  • Black Beauty(1994)

    Cinematographer

    Midcredits score: 70th percentile of all films
  • Demolition Man(1993)

    Cinematographer

    Midcredits score: 71st percentile of all films
  • Cliffhanger(1993)

    Camera Operator · Cinematographer

    Midcredits score: 61st percentile of all films
  • Alien³(1992)

    Cinematographer

    Midcredits score: 51st percentile of all films
  • Mr. Destiny(1990)

    Cinematographer

    Midcredits score: 53rd percentile of all films
  • The Krays(1990)

    Cinematographer

    Midcredits score: 67th percentile of all films
  • Wings of Fame(1990)

    Cinematographer

    Midcredits score: 72nd percentile of all films
  • The Rachel Papers(1989)

    Cinematographer

    Midcredits score: 37th percentile of all films
  • Leviathan(1989)

    Cinematographer

    Midcredits score: 32nd percentile of all films
  • High Spirits(1988)

    Cinematographer

    Midcredits score: 37th percentile of all films
  • Track 29 (not in the MovieCove catalog yet)(1988)

    Cinematographer

  • Date with an Angel(1987)

    Cinematographer

    Midcredits score: 37th percentile of all films
  • The Sicilian(1987)

    Camera Operator · Cinematographer

    Midcredits score: 24th percentile of all films
  • Duet for One(1986)

    Cinematographer

    Midcredits score: 62nd percentile of all films
  • Labyrinth(1986)

    Cinematographer

    Midcredits score: 89th percentile of all films
  • Raw Deal(1986)

    Cinematographer

    Midcredits score: 27th percentile of all films
  • Legend(1985)

    Cinematographer

    Midcredits score: 55th percentile of all films
  • Year of the Dragon(1985)

    Camera Operator · Cinematographer

    Midcredits score: 72nd percentile of all films
  • Electric Dreams(1984)

    Cinematographer

    Midcredits score: 64th percentile of all films
  • The Keep(1983)

    Cinematographer

    Midcredits score: 33rd percentile of all films
  • Bullshot (not in the MovieCove catalog yet)(1983)

    Cinematographer

  • Eureka(1983)

    Cinematographer

    Midcredits score: 41st percentile of all films
  • Skokie (not in the MovieCove catalog yet)(1981)

    Cinematographer

  • Excalibur(1981)

    Cinematographer

    Midcredits score: 88th percentile of all films
  • The Gold Bug (not in the MovieCove catalog yet)(1980)

    Cinematographer

  • Follow that Rainbow (not in the MovieCove catalog yet)(1979)

    Cinematographer

  • The Class of Miss MacMichael(1978)

    Cinematographer

    Midcredits score: 41st percentile of all films
  • Superman(1978)

    Additional Photography

    Midcredits score: 91st percentile of all films
  • The Cat and the Canary(1978)

    Cinematographer

    Midcredits score: 30th percentile of all films
  • Rosie Dixon - Night Nurse (not in the MovieCove catalog yet)(1978)

    Cinematographer

  • Fear Is the Key(1972)

    Cinematographer

    Midcredits score: 59th percentile of all films
  • Death Line(1972)

    Cinematographer

    Midcredits score: 40th percentile of all films
  • Dr. Phibes Rises Again(1972)

    Cinematographer

    Midcredits score: 55th percentile of all films
  • The Night Digger(1971)

    Cinematographer

    Midcredits score: 57th percentile of all films
  • Midcredits score: 75th percentile of all films
  • I Start Counting (not in the MovieCove catalog yet)(1970)

    Cinematographer

  • The Best House in London (not in the MovieCove catalog yet)(1969)

    Cinematographer

  • Alfred the Great(1969)

    Cinematographer

    Midcredits score: 47th percentile of all films
  • The Strange Affair(1968)

    Cinematographer

    Midcredits score: 44th percentile of all films
  • Midcredits score: 50th percentile of all films
  • Midcredits score: 71st percentile of all films
  • Fahrenheit 451(1966)

    Camera Operator

    Midcredits score: 85th percentile of all films
  • Judith (not in the MovieCove catalog yet)(1966)

    Camera Operator

  • Doctor Zhivago(1965)

    Camera Operator

    Midcredits score: 97th percentile of all films
  • Every Day's a Holiday (not in the MovieCove catalog yet)(1965)

    Camera Operator

  • The Masque of the Red Death(1964)

    Camera Operator

    Midcredits score: 80th percentile of all films
  • The System (not in the MovieCove catalog yet)(1964)

    Camera Operator

  • Nothing But the Best(1964)

    Camera Operator

    Midcredits score: 61st percentile of all films
  • The Guest(1963)

    Camera Operator

    Midcredits score: 82nd percentile of all films
  • Dr. Crippen (not in the MovieCove catalog yet)(1963)

    Camera Operator

  • Girl on Approval (not in the MovieCove catalog yet)(1961)

    Camera Operator

Career shape

A full career of 57 titles from 1961 to 2004.

By role

only this rolewith another role
Cinematography45 of 57: 42 only cinematography, 3 with another role · typical Midcredits score53rdOther crew15 of 57: 12 only other crew, 3 with another role · typical Midcredits score76th

57 titles, 3 with more than one role — cinematography and other crew overlap on 3 of them.

By decade

1960s14 · crew1970s11 · crew1980s18 · crew1990s10 · crew2000s4 · crew

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.

How do Alex Thomson's films land?

Their typical MovieCove film has a Midcredits score in the 57th percentile, the median of all 43; across their 34 films with reception data, the typical film sits in the 50th percentile for acclaim.

Acclaim · how much people like their films

50thpercentile
Typical film, the median of 34

Approval · how many liked their films

52ndpercentile
Typical film, the median of 34

Reach · how many have seen their films

82ndpercentile
Typical film, the median of 34

Midcredits score across 43 titles, by percentile

  • 75th and up9
  • 50th to 74th19
  • 25th to 49th14
  • Below 25th1

Reviewers score the cinematography 71/100 in their films, across 28 reviewed titles; fans 77, detractors 56. The element that speaks to their work as a cinematographer.

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Is Alex Thomson's work okay for kids?

Across up to 20 MovieCove titles with content scores, violence & gore, sex & nudity, profanity and frightening / intense run heavier than most films.

Their medianMedian of all filmsMiddle 80% of their titles
Violence & Gore14 titles48–89 · median 78 · intenseheavier than most filmsMedian of all films: 44
Sex & Nudity20 titles17–66 · median 43 · moderateheavier than most filmsMedian of all films: 32
Profanity14 titles14–87 · median 63 · intenseheavier than most filmsMedian of all films: 36
Alcohol & Drugs13 titles18–48 · median 33 · mildnear the median of all filmsMedian of all films: 33
Frightening / Intense12 titles47–72 · median 61 · intenseheavier than most filmsMedian of all films: 39

Severity 0–100 from the Content Guide. Categories with under 10 votes on a title are not counted. The band's colour is the severity of their median, named beside it.

Who does Alex Thomson work with?

People who share at least 2 of Alex Thomson's MovieCove titles, grouped by what they did on them; Dino De Laurentiis shares the most, 3.

Directors

Writers

Actors

Composers and editors

Producers