Skip to content
MovieCove

Christopher Ball

Producer

Works as
Producer
Titles
24 on MovieCove · 26 credits in all
TMDB popularity, last 155 days to Oct 26Down 9% in 30 days

What are Christopher Ball's films like?

Across their 24 MovieCove titles with a thematic analysis, their films lean Self and Morality.

What they feel like to watch

their average across 24 films
ToneFeelDemandtheir average · filled zone: the category

A split, not a type: Light 9 · Serious 6 · Dark 9

A split, not a type: Grounded 10 · Stylized 7 · Heightened 7

A split, not a type: Gentle 3 · Charged 10 · Intense 11

Steady 6 · Shifting 12 · Whiplash 6

A split, not a type: Straight-faced 13 · Some laughs 7 · Funny 4

Slow burn 3 · Even-paced 19 · Relentless 2

A split, not a type: Casual 10 · Engaged 8 · Full focus 6

A split, not a type: Easy watch 10 · Affecting 8 · Heavy 6

Resolved 17 · Open-ended 3 · Ambiguous 4

Moods and endings

endings are an aggregate; no title is named

Dominant moods · mentions across their titles

Tense
14
Thrilling
8
Absurd
8
Melancholic
7
Dread
6
Other
22

How their films end · 6 with a twist

  • Happy5
  • Bittersweet11
  • Tragic1
  • Ambiguous7

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Christopher Ball's films?

As of October 24, 2026, 18 of their 24 MovieCove titles stream on a subscription or free service.

Subscription and free streaming for Christopher Ball's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

26 credits, 24 with a MovieCove page.

  • Midcredits score: 51st percentile of all films
  • Midcredits score: 1st percentile of all films
  • Prom Night(2008)

    Executive Producer

    Midcredits score: 4th percentile of all films
  • The Prestige(2006)

    Executive Producer

    Midcredits score: 99th percentile of all films
  • Cruel Intentions 3(2004)

    Executive Producer

    Midcredits score: 8th percentile of all films
  • The Skulls III(2004)

    Executive Producer

    Midcredits score: 13th percentile of all films
  • Stark Raving Mad(2002)

    Producer

    Midcredits score: 51st percentile of all films
  • The Skulls II(2002)

    Producer

    Midcredits score: 9th percentile of all films
  • A Better Way to Die(2000)

    Executive Producer

    Midcredits score: 33rd percentile of all films
  • Midcredits score: 84th percentile of all films
  • The Mexican(2001)

    Executive Producer

    Midcredits score: 44th percentile of all films
  • Donnie Darko(2001)

    Executive Producer

    Midcredits score: 97th percentile of all films
  • Wish You Were Dead(2001)

    Producer

    Midcredits score: 17th percentile of all films
  • Cruel Intentions 2(2000)

    Executive Producer

    Midcredits score: 6th percentile of all films
  • Memento(2000)

    Co-Executive Producer

    Midcredits score: 99th percentile of all films
  • The King Is Alive(2000)

    Executive Producer

    Midcredits score: 50th percentile of all films
  • The Skulls(2000)

    Executive Producer

    Midcredits score: 27th percentile of all films
  • Mad Cows (not in the MovieCove catalog yet)(1999)

    Executive Producer

  • Splendor(1999)

    Executive Producer

    Midcredits score: 51st percentile of all films
  • Rogue Trader(1999)

    Executive Producer

    Midcredits score: 54th percentile of all films
  • Cruel Intentions(1999)

    Co-Executive Producer

    Midcredits score: 74th percentile of all films
  • All the Rage(1999)

    Producer

    Midcredits score: 27th percentile of all films
  • Velvet Goldmine(1998)

    Co-Executive Producer

    Midcredits score: 81st percentile of all films
  • Memory & Desire (not in the MovieCove catalog yet)(1998)

    Executive Producer

  • Mrs Dalloway(1997)

    Executive Producer

    Midcredits score: 58th percentile of all films
  • Twelfth Night(1996)

    Executive Producer

    Midcredits score: 83rd percentile of all films

Career shape

A full career of 20 titles from 1996 to 2008.

By role

only this rolewith another role
Producing20 of 20: 20 only producing, 0 with another role · typical Midcredits score53rd

By decade

1990s8 · crew2000s12 · crew

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.

How do Christopher Ball's films land?

Their typical MovieCove film has a Midcredits score in the 51st percentile, the median of all 24; across their 24 films with reception data, the typical film sits in the 47th percentile for acclaim.

Acclaim · how much people like their films

47thpercentile
Typical film, the median of 24

Approval · how many liked their films

47thpercentile
Typical film, the median of 24

Reach · how many have seen their films

82ndpercentile
Typical film, the median of 24

Midcredits score across 24 titles, by percentile

  • 75th and up6
  • 50th to 74th7
  • 25th to 49th4
  • Below 25th7

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Is Christopher Ball's work okay for kids?

Across up to 15 MovieCove titles with content scores, violence & gore, sex & nudity, profanity, alcohol & drugs and frightening / intense run heavier than most films.

Their medianMedian of all filmsMiddle 80% of their titles
Violence & Gore8 titles36–74 · median 62 · intenseheavier than most filmsMedian of all films: 44
Sex & Nudity15 titles21–69 · median 44 · moderateheavier than most filmsMedian of all films: 32
Profanity8 titles37–83 · median 71 · intenseheavier than most filmsMedian of all films: 36
Alcohol & Drugs8 titles39–71 · median 55 · moderateheavier than most filmsMedian of all films: 33
Frightening / Intense8 titles32–74 · median 62 · intenseheavier than most filmsMedian of all films: 39

Severity 0–100 from the Content Guide. Categories with under 10 votes on a title are not counted. The band's colour is the severity of their median, named beside it.

Who does Christopher Ball work with?

People who share at least 2 of Christopher Ball's MovieCove titles, grouped by what they did on them; William Tyrer shares the most, 22.

Directors

Writers

Actors

Composers and cinematographers

Producers