Ryan Chan

What are Ryan Chan's films like?

Across a limited sample of 4 MovieCove titles with a thematic analysis, their films lean Self and Bonds.

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Ryan Chan's films?

As of October 24, 2026, 3 of their 4 MovieCove titles stream on a subscription or free service.

• Disney+1 title, browse their movies on this service
  • Mars Needs Moms (2011) · producer
• Netflix1 title, browse their movies on this service
  • Lost Ollie (2022) · editor
• Paramount+1 title, browse their movies on this service
  • Slanted (2025) · editor

Subscription and free streaming for Ryan Chan's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

4 credits, 4 with a MovieCove page.

• 

  Slanted(2025)

  Editor

  Midcredits score: 31st percentile of all films31^st
• 

  Lost Ollie(2022)

  Show Editor

  Midcredits score: 81st percentile of all shows81^st
• 

  The Witches(2020)

  Editor

  Midcredits score: 19th percentile of all films19^th
• 

  Mars Needs Moms(2011)

  Producer

  Midcredits score: 22nd percentile of all films22^nd

Career shape

Across a limited sample of 4 MovieCove titles from 2011 to 2025.

Biggest box office

Mars Needs Moms (2011)

$39M worldwide

Highest rated

Lost Ollie (2022)

Midcredits 81^st

Most popular right now

The Witches (2020)

How do Ryan Chan's films land?

Their typical MovieCove film has a Midcredits score in the 22^nd percentile, the median of all 3; across a limited sample of 3 films with reception data, the typical film sits in the 25^th percentile for acclaim.

Shape of the crowd

3 of their 4 titles are Mixed.

13

• Crowd Pleaser1
• Mixed3

Most divisive · producer

Mars Needs Moms (2011)

51^st percentile spread · 28% rated it 4 or lower

Most loved · editor

Lost Ollie (2022)

Midcredits 81^st · 83% liked

Reviewers score the pacing 53/100 in their films, across 3 reviewed titles; fans 60, detractors 45. The element that speaks to their work as an editor.

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Is Ryan Chan's work okay for kids?

Across a limited sample of up to 4 MovieCove titles with content scores.

Severity 0–100 from the Content Guide. Categories with under 10 votes on a title are not counted.

Who does Ryan Chan work with?

People who share at least 2 of Ryan Chan's MovieCove titles, grouped by what they did on them; Peter M. Tobyansen shares the most, 2.