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Pomegranate

Pomegranate

The courage to dream… regardless.

Director
Weam Namou

A young, politically liberal, Iraqi Muslim immigrant struggles to find her footing in a neighborhood of well-to-do conservative, Iraqi Christians while battling her family's fears of deprivation and demands of loyalty to Muslim traditions.

Where can I watch Pomegranate?

As of October 24, 2026, MovieCove lists Pomegranate to rent or buy on Apple TV, and on no subscription service.

Your rating, lists and review

What stands out about Pomegranate?

Pomegranate earns 2 badges, led by Award Winner and Hopeful.

  • Craft and mood
  • Awards and box office

Is Pomegranate worth watching?

Pomegranate's Midcredits score is the 66th percentile of all films, from 23 ratings across 3 sources (very few ratings yet, so treat it as provisional). 57% liked it (rated it 7 or higher out of 10).

Midcredits score

How well it was received

66th percentile

Better received than 66% of films

Very few ratings yet, so treat it as provisional.

74th percentile among Comedy67th percentile among 2020s
Acclaim (how much people like it)67th
Approval (how many liked it)62nd

66 /100

Very few ratings yet, so treat it as provisional.

67th percentile of all films

76th percentile among Comedy67th percentile among 2020s

Rating distribution

Big peaks at both ends — people either love this or bounce off it hard.

57% liked it

62nd percentile of all films

69th percentile among Comedy63rd percentile among 2020s
57% rated it 7–1043% rated it 1–6

Awards

0 Oscars won · 0 Oscar noms · 18 wins / 1 noms overall

Reach

How many have seen it

6th percentile

23 ratings across platforms

3rd percentile among Comedy6th percentile among 2020s
TMDB popularity, last 37 days to Oct 26Up 10% in 30 days

What is Pomegranate like to watch?

Conclusions only — categories and positions, no plot detail.

Watch this when you want something warm that leaves you smiling.

It takes its time, has a few laughs and leaves you hopeful. Skip it when you want things to move fast.

ToneFeelDemandwhat the answer rests onexact position · filled zone: the category

What it feels like

Feel-good.

Moods
HopefulJoyfulContemplative
Heaviest: middle
Warm humor
Register
WarmPlayful
Told as
Three-act: Setup, confrontation, resolution — the default Hollywood shape.
ToneThe film treats its characters and their struggles with warmth and humour, never mocking them.
The rideThe story balances comedic and heartfelt moments, with the central conflict likely peaking in the middle as Niran faces cultural pressures, before moving toward hope.
StructureConventional linear narrative following Niran's personal journey.

How it leaves you

what you carry away

Hopeful.

The answer rests on this: HopefulFeel-good
Why it leaves you this wayLeaves the viewer inspired and hopeful, with a sense of possibility for Niran's future.
How it ends · evidence
Bittersweet ending

Story archetype

where it sits among all films
Monster — 21% of films. A threat menaces the hero's world and must be defeated.Rags — 3% of films. A rise from lowliness to fortune, status, or recognition.Quest — 10% of films. A journey toward a defined objective, with companions and obstacles.Voyage — 4% of films. Into a strange world and back again, changed.Comedy — 11% of films. Confusion and cross-purposes resolved into harmony.Tragedy — 9% of films. A flaw or fixation drives the protagonist to ruin.Rebirth — 13% of films. A stalled or darkened life reopened and renewed.Mystery — 7% of films. A question drives the story — who did it, what happened, what is real — until it is answered.No archetype — 22% of filmsPredator — 6% of films. A creature or killer hunts the protagonists (Jaws, Alien).Tyrant — 6% of films. A human villain holds power over the hero's world (Die Hard).Invasion — 2% of films. An external force attacks the home or world (Independence Day).Oppressive state — 2% of films. A government, its agencies or a secret faction inside them is the monster (V for Vendetta).Corporate villainy — 1% of films. A company or its bosses are the monster (Erin Brockovich).Institutional injustice — 1% of films. A court, prison, police force, school or church is itself the enemy (Spotlight).Class system — under 1% of films. The gap between rich and poor, or a rigid hierarchy, is the monster (Parasite).Technology turns — under 1% of films. Technology people rely on becomes the threat (The Terminator).Inner demon — 1% of films. The monster is within — addiction, illness, a dark double.Underdog triumph — 2% of films. Rise through competition or contest (Rocky).Social ascent — under 1% of films. A climb in class or status (Pretty Woman).Fame and fortune — under 1% of films. An artistic or showbiz rise (A Star Is Born).Rise and fall — under 1% of films. Wealth or power gained, self lost (Scarface).Hidden worth revealed — under 1% of films. The protagonist's true value finally recognized.Treasure hunt — 1% of films. Retrieve an object of value (Raiders of the Lost Ark).Rescue — 4% of films. Retrieve or save a person (Saving Private Ryan).Mission — 5% of films. Accomplish or destroy a defined objective (Mission: Impossible).Journey home — under 1% of films. The goal is getting back (Finding Nemo).Pilgrimage — 1% of films. The journey itself transforms; the destination is symbolic.Portal fantasy — under 1% of films. Transported into another world (The Wizard of Oz).Fish out of water — 2% of films. Displaced into an unfamiliar social world (Elf).Survival ordeal — 1% of films. Trapped in a hostile environment, fighting back (Cast Away).Time displacement — under 1% of films. Unstuck in time (Back to the Future).Descent — 1% of films. A night-journey into an underworld or subculture (After Hours).Romantic comedy — 4% of films. Lovers kept apart by confusion, united at last.Comedy of errors — 3% of films. Mistaken identity or misunderstanding drives the plot.Farce — 2% of films. Escalating absurd chaos and coincidence (The Hangover).Buddy comedy — 1% of films. A mismatched pair forced together (Rush Hour).Comedy of manners — 1% of films. Social codes and class satirized (Clueless).Hubris — 1% of films. Pride or ambition invites the fall (There Will Be Blood).Obsession — 2% of films. A fixation consumes the protagonist (Black Swan).Corruption arc — 2% of films. Step-by-step moral decay (The Godfather).Doomed love — 2% of films. Love destroyed by circumstance (Brokeback Mountain).Crushed by fate — 3% of films. Destroyed by forces beyond the protagonist's control.Redemption — 3% of films. Moral reawakening of a hardened soul (A Christmas Carol).Healing — 5% of films. Recovery from grief or trauma (Good Will Hunting).Liberation — 2% of films. Breaking free of a confining life (Room).Second chance — 2% of films. A stagnant life re-opened to love or purpose (Groundhog Day).Puzzle — 1% of films. A clue-by-clue puzzle you can try to solve before the reveal (Knives Out, Clue).Investigation — 5% of films. A long pursuit of the truth that may never be fully solved (Zodiac, Memories of Murder).Enigma — 2% of films. The mystery is what is real, or what is actually happening (Mulholland Drive).Rebirth
Every story archetype, clockwise from the top
  • Monster 21%: Predator 6% · Tyrant 6% · Invasion 2% · Oppressive state 2% · Corporate villainy 1% · Institutional injustice 1% · Class system under 1% · Technology turns under 1% · Inner demon 1%
  • Rags 3%: Underdog triumph 2% · Social ascent under 1% · Fame and fortune under 1% · Rise and fall under 1% · Hidden worth revealed under 1%
  • Quest 10%: Treasure hunt 1% · Rescue 4% · Mission 5% · Journey home under 1% · Pilgrimage 1%
  • Voyage 4%: Portal fantasy under 1% · Fish out of water 2% · Survival ordeal 1% · Time displacement under 1% · Descent 1%
  • Comedy 11%: Romantic comedy 4% · Comedy of errors 3% · Farce 2% · Buddy comedy 1% · Comedy of manners 1%
  • Tragedy 9%: Hubris 1% · Obsession 2% · Corruption arc 2% · Doomed love 2% · Crushed by fate 3%
  • Rebirth 13% (this title): Redemption 3% · Healing 5% · Liberation 2% (this title) · Second chance 2%
  • Mystery 7%: Puzzle 1% · Investigation 5% · Enigma 2%
  • No archetype 22%

Rebirth: A stalled or darkened life reopened and renewed. · Liberation: Breaking free of a confining life (Room).

13% of films fit this archetype

A loose fit — the map only half-holds this one.

Why this archetypeA young immigrant's journey to find her voice and purpose in a conservative community, framed as a personal rebirth.

What it's about

7 groups · 53 themes
Bonds — 27% of filmsSelf — 22% of filmsPower — 7% of filmsMorality — 16% of filmsSurvival — 15% of filmsSociety — 9% of filmsIdeas — 5% of filmsRomantic love — 15% of filmsMarriage — 2% of filmsFamily bonds — 21% of filmsParenthood — 2% of filmsFriendship — 9% of filmsLoyalty — 4% of filmsIdentity — 14% of filmsComing of age — 5% of filmsAging — under 1% of filmsSelf-worth — 7% of filmsAmbition — 7% of filmsPurpose — 9% of filmsMemory — 3% of filmsObsession — 3% of films. A fixation consumes the protagonist (Black Swan).Power — 2% of filmsCorruption — 3% of filmsGreed — 3% of filmsClass — 3% of filmsOppression — 4% of filmsFreedom — 5% of filmsJustice — 13% of filmsDuty — 2% of filmsRevenge — 4% of filmsGuilt — 3% of filmsRedemption — 6% of films. Moral reawakening of a hardened soul (A Christmas Carol).Forgiveness — 1% of filmsSacrifice — 4% of filmsBetrayal — 5% of filmsDeception — 9% of filmsSurvival — 17% of filmsWar — 1% of filmsViolence — 4% of filmsMortality — 2% of filmsGrief — 6% of filmsTrauma — 7% of filmsMental illness — 1% of filmsAddiction — 1% of filmsIllness and disability — under 1% of filmsCommunity — 14% of films. Consequences reach a town, institution or group.Isolation — 5% of filmsPrejudice — 3% of filmsDisplacement — 1% of filmsFaith — 3% of filmsTradition vs change — 2% of filmsFame — 3% of filmsLegacy — 4% of filmsFate — 1% of filmsFree will — under 1% of filmsTruth — 4% of filmsHope — 5% of filmsNature — 2% of filmsArt — 4% of filmsTechnology — 1% of filmsSelfPurposeSelf
Every theme, clockwise from the top
  • Bonds 27%: Romantic love 15% · Marriage 2% · Family bonds 21% · Parenthood 2% · Friendship 9% · Loyalty 4%
  • Self 22% (this title): Identity 14% · Coming of age 5% (this title) · Aging under 1% · Self-worth 7% · Ambition 7% · Purpose 9% (this title) · Memory 3% · Obsession 3%
  • Power 7%: Power 2% · Corruption 3% · Greed 3% · Class 3% · Oppression 4% · Freedom 5%
  • Morality 16%: Justice 13% · Duty 2% · Revenge 4% · Guilt 3% · Redemption 6% · Forgiveness 1% · Sacrifice 4% · Betrayal 5% · Deception 9%
  • Survival 15%: Survival 17% · War 1% · Violence 4% · Mortality 2% · Grief 6% · Trauma 7% · Mental illness 1% · Addiction 1% · Illness and disability under 1%
  • Society 9%: Community 14% · Isolation 5% · Prejudice 3% · Displacement 1% · Faith 3% · Tradition vs change 2% (this title) · Fame 3% · Legacy 4%
  • Ideas 5%: Fate 1% · Free will under 1% · Truth 4% · Hope 5% · Nature 2% · Art 4% · Technology 1%

Self

Purpose · 9% of filmsComing of age · 5% of filmsTradition vs change · 2% of films
Celebrates its theme: Affirms its theme — this is good and worth having.Community stakes: Consequences reach a town, institution or group.Single lead
How it treats its themeNiran searches for her calling in life while balancing her liberal identity against conservative family and community expectations.
StanceThe film affirms Niran's search for purpose and self-expression against cultural barriers, celebrating her resilience and the strength of community women.

The world

Early 21st centuryUrbanDomesticRealistic
Orchestral modernFolkSupportive music · original score · James Stonehouse
Settinga neighborhood of Iraqi Christians in Michigan before the 2016 election
MusicThe score likely blends orchestral elements with folk motifs reflecting the Iraqi heritage of the characters.

Is Pomegranate okay for kids?

Not Rated

Pomegranate is not rated.

No detailed content scores for this title yet.

What content warnings does Pomegranate have?

Not screened for content warnings yet.

Who is in Pomegranate?

What are movies like Pomegranate?

Movies like Pomegranate include Today's Special (2009), Duets (2000) and The Last Summer (2019). Of the 12 closest matches, several are films set in an immigrant community, and most are stories about parents and children.

Balanced: every group counts the same, and production only breaks ties.

8 of these 12 share its story type: liberation. Those cards say what else they share.

What else shares a premise, people or place with Pomegranate?

9.1K other films share the rarest tag below, relationship: parent and child. Each tag opens Browse with the films that share it.